Conspiracy Keanu is into peace and love.
Kelly and I rewatched The Avengers: Age Of Ultron
Turned out a few of them actually mattered.
The problematic stuff with Natasha is still problematic, no doubt about it. You can choose to believe that every word she utters to Bruce is, on some level, exactly what she thinks he needs to hear. There’s a little bit of set-up for this, and it’s a reading that can serve as the sugar necessary to make her monster speech go down. Still, if we give the film this reading, we do it knowing that we’re superimposing meaning, adding in stuff that isn’t really on the screen.
And, wow, Bruce really should have replied that not having ovaries and or a uterus isn’t monstrous, OMG. Or that cutting them out of your baby spies, against their will, is.
For my part, I was bothered by a related disconnect between them, one Nat’s failing to acknowledge. Bruce’s position in this exchange falls somewhere in the neighborhood of I’m afraid we can’t share a normal life and have babies because what if Hulkie Junior rips out one of my silky chestnut hair locks on a particularly bad day and I go all ARRRHGHGHGH!! and then pound everyone I love, you included, into a gooey red stain?
Whereas Nat’s is I’m afraid we can’t share a normal life because I have no organs anymore that will combine your genetic material and my genetic material. How ever will we find ourselves some tiny green-eyed, red-haired Baby-Gap wearing gamma monsters to raise and love?
She’s not concerned about becoming an abusive, family-annihilating nightmare. Come on, Nat, agree that it’s not the same. He’s pointing out that of the two of you, he has way more superpower, and he’s trying to be responsible about it, and do the stand-up thing.
This movie does barely pass the Bechdel test – Nat and Laura talk about baby names. And I am, like many a fan, curious to see whether a director’s cut can restore the things that felt missing from the story.
AAoU
Some of this conversation is legit critical discussion, respectfully phrased. Some of it is a big ol’ Internet pile-on. (The SF community’s started talking about pile-ons, just lately, and how to fucking not, and I couldn’t be happier. Have you all seen Andrea Phillips’ How to Not Be A Bullying Mob flowchart? I heart this!)
I’m not going to argue that AAoU
I am, instead, going to argue a proposition that I hope many of you will buy into:
For starters: during the BtVS years, Joss Whedon was at the heart of a creative team who produced a cutting edge, explicitly feminist, heroic fantasy adventure.
Cutting edge doesn’t mean perfect, or without challenges. It simply means “The position of greatest advancement or importance. The forefront.”
If the idea of putting heroes of the female gender on our flicker boxes could be said to be some kind of distance race, Buffy ran a lot of her predecessors–fantastic fictional women who inspired us all–into the ground. She and Willow surpassed Red Sonja, Uhura, Leela, Romana, Captain Janeway, Ellen Ripley, Xena and so many more. The show set a pace that was hart to beat.
Hard, but not impossible.
Other creators started running faster. Nobody wants to be running behind the shapely spandex-clad ass of Cutting Edge forever. They want to be out in front. Otherwise, why run?
(Yes, my metaphor has bled into itself, and Buffy has somehow morphed into Joss, and they’re both being hopeless jocks. I hereby apologize for this now, which is helpful to me financially because, as you all know, Canadians who never apologize for anything do pay higher taxes.)
Where was I? Joss’s fellow TV and film creatives, running bigger, harder and faster. Meanwhile we in the stands were howling–with glee and joy and the occasional burst of fury–as our expectations rose. And rose. And rose some more. And were, occasionally, disappointed. We have been hoping for the best and making fan GIFS on Tumblr and examining strong female characters wherever they pop up. We’ve been asking if we can have more diversity. Can we have more heroes of color? Can we have female-led Marvel movies that aren’t Electra? When Imperator Furiosa punches someone in the face with her nubbins (as Nospockdasgay puts it) or I turn on Sense8 and am confronted with what might as well be an actual snapshot–not an approximation, not a rose-colored glass half-full skewed vision–of my fucking queer GenXer life… well, holy shit, right? We see a world created in this massively expensive and entertaining art form that is welcoming. That is delightful and kaleidoscopic and more complete than the tunnel we’ve been staring down since the days of Star Trek and Charlie’s Angels.
We are insatiable. We want more. We want better. We want to be surprised and blown away and damned well included.
And the creators respond. Art is a conversation. People coopt and embroider upon the best that front-runner can do. So George Miller and the Wachowskis and J. Michael Straczynski have pulled ahead of Joss Whedon, for now. Look at the cool things they made, and rejoice!
Is this a reason to throw dog doots all over the track?
These things have a natural rhythm. Having one person drive that cutting edge forever would, in itself, be limiting. If Joss kicked forward our standards in the Nineties, how much of a shame would it be if nobody had, by now, exceeded him? The fact that people are busting their buns to give us things that make BtVS look hokey and retrograde in comparison? Hey, that’s cause for joy!
Falling into the pack for awhile… this may not be the sexiest phase of the artistic life cycle, but is comfortable ongoing success really the thing that makes you try harder? After seeing the second and third Matrix movies, I forgot about the Wachowskis. I would never in a billion years have expected them to turn up in my living room and blow my mind to smithereens. Maybe I should have. Maybe I should’ve been sending them ransom-style cut-out notes of encouragement over the years.
Joss Whedon has put his money and his mouth as well as his creative visions on the side of the angels for years. Surely we can criticize AAoU
And, by the way, M. Night Shyamalan and Sam Raimi, innit time you laced up your running booties and gave us all a run for the money?
,” here at 
anthology, was one of Gardner Dozois’s Honorable Mention picks for the Year’s Best Science Fiction in 2013. Her stories have appeared in many magazines and anthologies. Reisman’s first novel, The Z Radiant, published by Five-Star Speculative Fiction, was described as, “thinking reader’s sci-fi.” Her story “Threads” was awarded a Southeastern Science Fiction Achievement Award. She was a Michener Fellow in Fiction in graduate school and is one of my beloved 
! This means I am one careful read-through away from being able to call this book … well, it’s already a book. And it’s already done. Medium rare? Even more done?
and 
last week when many lovely folks were pushing the idea of buying Tor books and authors for all the reasons. I want to thank you all for supporting me, my fellow Tor authors, and my publisher.