My WFC Schedule

SONY DSCFor anyone looking to connect with me at the World Fantasy Convention, here’s my schedule as it stands now…

Thursday November 5th

Real World Nomenclature, Taboos, and Cultural Meaning 
The panel discusses the thorny issue of real world terms that often bear loaded meanings and concepts being transported wholesale into Fantasy worlds. Swearing, cursing, and racial epithets can cause controversy and out-cry. Commonly accepted terms change meaning over time and become taboo. As the politics of the real world change, is there a concurrent transposition into Fantasy worlds?
A.M. Dellamonica (mod.), Didi Chanoch, Steve Erikson, Don Pizarro, Mark van Name
When Magic Meets Science
Fantasy, and the Epic in particular, have a tendency to ignore the progress of the sciences, but there are some great stories out there which tackle the issue of technological advancement in a Fantasy world. Our panel will discuss the tension between science, technology and magic, and some of the narratives that play with our notions of technological progress in a Fantasy world, from the Discworld to Malazan and to Flintlock Fantasies.
Julie Czerneda (mod.), Donald Crankshaw, A.M. Dellamonica, Chris Gerwell
Friday November 6th
Politics, Economics and Power in Fantasy worlds 
Some fantasy authors give little thought to the underlying notions of power and politics that underpin the nations of their Fantasy realms, while others are only too aware of what they borrow from the world. The panel discusses the issues of politics and power dynamics in works of Fantasy that explore, explode, or subvert the norms.
Paul Park (mod.), A.M. Dellamonica, Mark van Name, Rick Wilber, Chelsea Quinn Yarbro
Saturday  November 7th
Noon Reading – probably from A Daughter of No Nation, certainly from something set on Stormwrack.

Nano Nano, Nyah Nyah

alyx babyRight after I turned in The Nature of a Pirate Kelly and I had a vacation, followed by a lot of out of town company. I’ve spent much of the time since then considering a possible Nanowrimo project, mostly because I was feeling the need for a bit of a mental kickstart while I waited for notes on that third Sophie book.

I wasn’t sure cranking out a draft in November was the best idea ever, though the book (tentatively titled Exposure) has some definite cool things. But we’re on the road in November, headed to the World Fantasy Convention in Saratoga Springs–I’ll post my schedule soon! I’ll be in the lucky position soon of having to do promotion for A Daughter of No Nation. And my nano drafts tend to be shambling, unlovely things, studded with wonders, blood and miracles, but a lot of work to beat into shape.

The other recent project was pulling together a grant application to do just that, polish up a book set in the same universe as the newly outlined yet purely theoretical Exposure. It’s called The After People, and it has an excellent beginning, one chained like a plow horse to a somewhat mud-spattered middle and end. I’ve wanted to set aside time to clean up AP for awhile, but Stormwrack things have, of course, been more important. Writing a trilogy while lunging across the country, it turns out, is something of a long haul.

Anyway, my somewhat cursory records seemed to show that I had sent out a grant application for AP in the spring, but I was sure that couldn’t be right. There was no rejection in my files, for one thing, and anyway I didn’t remember applying. Remembering is something I apparently can’t be bothered to do anymore if I think the information is somewhere in my sent e-mail archive. So I hauled my nicely polished beginning and attendant paperwork off to the slowest copyshop ever, to watch teams of monk-scribes scratch out every page by hand (all while taking union-mandated coffee breaks and indulging in quick bouts of Gregorian chanting) and from there I schlepped the whole thing off to not one but two post offices, because the one near the house was experiencing technical difficulties.

Then, coming home from the further-away post office and having finished precisely that errand, I opened my mailbox… and found a grant cheque from the Ontario Arts Council. For The After People.

This means I did apply in May–go me! It also means that if I’m going to insist on forgetting every act I commit as soon as I hit SEND on it, I should at least trust my electronic records. On the other hand, it created an incredibly cool illusion: to mail something and then receive the answer, to have it waiting for you at home before the package has even hit a sorting station? Very cool.

More importantly, though, it means: WHEEEEEEE!!! Thank you, Ontario Arts Council!!

Finally, it means I can allot some serious time to turning the shambling 30K-word back end of AP into something twice as long and actually worth reading.

Needless to say, I am very pleased.

Weekend of Thanks and Voting to #HeaveSteve

write memeAdvance polls are open, Canadians! Whatever the outcome of the upcoming election, I am grateful to have periodic chances to at least try to give my corrupt, racist, hatemongering, anti-science Federal government the big ol’ Heave Ho, and I hope you are too. If you’re from some other country, and my usual lack of engagement with current news stories is one of those things that you like about this blog… well, you can be thankful that it’s almost over. We’ll be resuming our usual mix of art talk, writing essays, random babble about coffee, photographs of the cats, book-related links and Life of Alyx again soon.

I am not exactly sure when I shall advance vote. I’ve blown today’s chance, I think, as I’ll be haring off to do some things with a Kelly and a friend shortly. This weekend promises to be action packed, alternating more (fun) haring with bursts of writing. We both of us want to lay down some words over the next few days.

On a completely other topic and in case you missed it–I am running a contest all month where you can post this link about the Goodreads givaway on Twitter or Facebook, tagging me so I see it, and I’ll enter you for a copy of ​Child of a Hidden Sea.

A Daughter of No Nation – Giveaway Doubledown!

SONY DSCGoodreads is giving away five shiny copies of A Daughter of No Nation. Does one of them have your name on it? I’d like to think so. To sweeten the pot, and of course to spread the word far and wide, I’m going to run a simultaneous draw for a copy of Child of a Hidden Sea (or, if you already have it, your choice of my previous novels, Indigo Springs and Blue Magic).

Here’s the deal:
–Post a link to this post to Facebook, or retweet this.


–Be sure to tag me, so that I capture your name! Drop me a line here if you aren’t sure.
–If you tweet and hit Facebook, that’ll count as two entries.
–On October 31s,t I’ll draw a lucky winner and contact you for your info.

Slings and Shelfies

(null)A Daughter of No Nation is on the Shelfie Top 10 list for Most Anticipated SF and Fantasy books, in great company, with novels by Charlie Jane Anders, Kameron Hurley and Catherynne M. Valente. Review copies of the book are percolating out to the usual (and hopefully a few unusual) suspects. Soon we’ll be hearing what people think of the second installment of Sophie Hansa’s adventures.

I’m finding the prospect a little nerve-wracking. I don’t think there was anyone who absolutely hated ​Blue Magic. There were a few people whose response came down to “Holy gosh, this book sure do have a lotta queer people in it!” but there’s not much you can do about that except go, “Yep.”

Child of a Hidden Sea, on the other hand, and Sophie in particular got under a few readers’ skins, and not always in a way that led to true and enduring love. I decided to take this as a sign that I’d become better at characterization, especially since most of the reviews were, in fact, raves. Anyway, it might simply be the effect of a lingering head cold, or the fallout from a rather unusual week, but right now I’m thinking my only sane response is to go “La la la, can’t hear you!” and think of something else until my head clears.

Having been to Stratford for the first time this past weekend, and having seen three shows – Carousel, The Alchemist, and She Stoops to Conquer, Kelly and I are finally embarking on watching Slings and Arrows. We’ve had so many chances to do so over the years–I think people have lent us the DVDs on three separate occasions, and we never quite managed to pop one into the gadget before sheepishly returning the disks.  It’s been one of those gaps that was almost embarrassing to admit to, what with me being such a raging Paul Gross fan. But it never happened, until now, and it’s almost–but not quite–too dated. It’ll be good prep for seeing His Almighty Grossness and Martha Burns in Domesticated next month.