Badass Best of and an Ontario Arts Council Grant

imageI got a couple of seasonal presents this week: Badass Book Reviews has listed Child of a Hidden Sea as one of their best 2014 fantasy novels in their annual round-up.

Meanwhile, the Ontario Arts Council has, on the excellent advice of ChiZine Publications, given me a grant to work on a horror novel currently titled See How They Run. ChiZine publishes books by so many authors I love–Caitlin Sweet, Gemma Files, David Nickle, Paul Di Filipo, Claude LaLumiere and Derryl Murphy–and by a plethora of other talented folks I hope to come to love as I get acquainted with their works.

I am, of course, delighted and grateful to both the OAC and ChiZine. My understanding of how the Writers Reserve program works is that it exists to allow small press publishers to direct funds to deserving authors. In other words, there’s no financial benefit for the publisher–they read the submissions, of which there must be many–for the good of the writing community.

My point? If you were going to buy a cool weird book this winter anyway, and you want to throw ChiZine some love, I can guarantee you won’t be sorry. I’m halfway through We Will All Go Down Together, by Gemma Files, and it is a freaky good time. Or if you want to see a fictional rendering of Toronto’s recent citypolitik (and other subjects too), give Dave Nickle’s Knife Fight and other Struggles a try. Got teens? The Caitlin Sweet book, The Door in the  Mountain, is a YA novel about Ariadne and the Minotaur, with prose so fine it will make you weep. Or, possibly, bleed.

What’s better during the holiday season than tucking in somewhere cozy with a fine book? Nothing, that’s what! I wish you all good reads, good food, and downtime in what’s left of 2014.

What did I actually publish this year?

imageAs the year wraps up, we tend to start counting our various accomplishments. I’ve got a Books Read list coming your way soon, but in the meantime, here’s all the new Alyx fiction that saw release in 2014.

Naturally, my big publication news this year was the release of Child of a Hidden Sea, the first book in the Hidden Sea Tales trilogy about Sophie Hansa, her brother Bramwell, and the delectable Captain Garland Parrish of the sailing vessel Nightjar. The sequel, Daughter of No Nation, will be out in November of 2015.

I also had three short stories… well, novelettes, actually, published this year:

Short Fiction:
“Snow Angels,” Fractured: Tales of the Canadian Post-Apocalypse, edited by Silvia Moreno-Garcia, September, 2014.

The Color of Paradox,” TOR.COM, June 2014.

The Ugly Woman of Castello di Putti,” TOR.COM, March 2014. This story is one of two Child of a Hidden Sea prequels currently in print.

Hydra’s Hearth – Hear Your Fave Authors Read!

ugly woman smallI am excited to announce that I am one of a number of local SF authors who will be appearing this weekend in the Hydra’s Hearth Reading Series, at the Ramada Plaza Hotel, 300 Jarvis Street. I’m closing out the series on Sunday, at 1:00 p.m.

These readings are long–an hour long, in fact. This means that for the first time in ages, you can hear me read a whole story instead of just a tantalizing beginning. The piece I’ve chosen is called “The Boy Who Would Not Be Enchanted.” It’s set on Stormwrack, the same world as Child of a Hidden Sea and “Among the Silvering Herd”; like the latter, it features Gale Feliachild, Garland Parrish of the sailing vessel Nightjar, along with the ship’s starry-eyed first mate, Tonio from Erinth. (Tonio’s first appearance is in “The Ugly Woman of Castello di Putti”“)

 

Though this reading series is tied into SFContario 5 and happening under its umbrella, by the grace of the Toronto Arts Council all readings are free and open to the public. So come, hear us! Here’s the whole schedule.
 
Fri 7 PM David Nickle
Fri 8 PM Douglas Smith
Fri 9 PM Derwin Mak
Sat 11 AM Madeline Ashby
Sat 12 PM Karl Schroeder
Sat 2 PM Hugh Spencer
Sat 3 PM Eric Choi
Sat 4 PM Robert J. Sawyer
Sat 5 PM Peter Watts
Sun 11 AM Michelle Sagara West
Sun 12 PM Lesley Livingstone
Sun 1 PM Me!

And if you’re wondering about my convention schedule and my Toronto Book Fair events, I’ll be posting those soon too.

Autumn Tour Dates

imageQuite a few things that have been in the works for awhile are locking into place now. As some of you already know, I’ll be at the Vancouver Writers Fest, appearing with William Gibson and Sebastien de Castell, on October 25th. Tickets are on sale now – I’d frankly love to have a big hometown turnout.

Afterward, I figure we’ll head somewhere as a mob, grab some decent, affordable food, and hang out. Let me know if you’re in.

On the 28th, I’ll be reading and signing Child of a Hidden Sea at the University Bookstore in Bellevue, Washington. The event’s at 8:00 p.m. and I’m taking the train in that very day, so the get-together window will probably be afternoon/early evening. Once travel logistics have come together, I’ll let you know.

And before all of that happens, I’ll be appearing at the New York City Comicon, on Friday October 10th, with a panel on Friday called Playing with Magic. Here’s the description:

Magic is central to fantasy, whether it takes place in our world or one completely foreign. But there are many different kinds of magic: from shape-shifting to mind-reading to weather control. How does the use of magic affect storytelling? Join A.M. Dellamonica (Child of a Hidden Sea), Ilona and Gordon Andrews (Burn for Me), C.L. Wilson (Winter King), George Hagen (Gabriel Finley and the Raven’s Riddle), Jaclyn Dolamore (Dark Metropolis) and Jeff Somers (We Are Not Good People) as they discuss incorporating magic into the fabric of their worlds with moderator Lev Grossman (The Magicians trilogy).

Kelly will be coming along on this one. We’ll be in Manhattan for a couple of days.

Speculating Canada on the queer in Stormwrack

Derek Newman-Stile of Speculating Canada says this about the book:

Dellamonica explores the isolating power of homophobia and its ability to displace LGBTQ populations in her general narrative of displacement.Child of a Hidden Sea is powerful as a narrative because it embodies both curiosity and the desire to find a sense of home and place to belong as well as its ability to point out that displacement is still a persistant feature in our world, one that is further sharpened by economic inequalities, sexism, homophobia, and general power structures that serve to elevate certain groups of people over others.

Here, for a change of pace, is the trailer for the hands-down best of the films we saw at the festival: Behavior, from Cuba: