About Alyx Dellamonica

Alyx Dellamonica lives in Toronto, Ontario, with their wife, author Kelly Robson. They write fiction, poetry, and sometimes plays, both as A.M. Dellamonica and L.X. Beckett. A long-time creative writing teacher and coach, they now work at the UofT writing science articles and other content for the Department of Chemistry. They identify as queer, nonbinary, autistic, Nerdfighter, and BTS Army.

Set Sail for #Stormwrack in A Daughter of No Nation!

(null)It can be tricky to know what to say about a book on its birthday, particularly if it is not the shiny debut of a series. I don’t want to spoil Child of a Hidden Sea for anyone who hasn’t read it yet, after all. Even so, I want to say a few things about where the story picks up in A Daughter of No Nation.

It has been six long months. Sophie Hansa is at home, trying as best she can to prepare herself for what she hopes will be a not too distant return to the world of Stormwrack. She’s attempting to learn skills that mesh with Age of Sail technology, to ensure that she’s fit, healthy, and ready to face a range of physical and mental challenges. There’s endurance training. Knot tying. Re-upping her CPR. Astral navigation. Memorizing everything from A Standard Book of British Birds to simple experiments from the history of science. As the book opens, that’s what we where we find her.

Anyway, I thought it might be fun to right now invent a rundown on what everyone else has been up to:

Bramwell Hansa, for example, is as intrigued by Stormwrack’s existence as Sophie herself. Is it an alternate Earth? A future one? Why does magic seem to work there? Wait… seem? Clearly it does, but how? He’s been been working with his sister on the data they have gathered so far, teaming up develop research plans for any future expeditions. Because, you see, they have to know.

My first impulse was to say that it all been rather nose to grindstone for poor Bram–that he hasn’t been dating. But I think all of you who keep telling me how much you love Bram will agree he could use a nice fellow in his life. Six months, though… he can’t have had anything too dramatic going on, or his sister would have noticed, and cared, and talked it to death. He’s not in a relationship when the book opens, and there’s nothing about recent drama in A Daughter of No Nation. So… was it all science and no play? Did Bram meet someone–have it flare and then fizzle? You tell me. I’m open to to anything, as long as it’s consistent with Bram’s character and what I’ve got on the page.

Sophie’s half sister, meanwhile, definitely isn’t getting any. Come on, guys–Verena’s so young! Anyway, she’s got a huge unrequited crush on a certain tasty ship’s captain, and she’s not about to let that go anytime soon. Also, she’s adjusting to her new job. It’s a big job and she’s completely inexperienced, so naturally, a few mistakes have been made. Good thing the boss isn’t a hardass, right? She is? Well, that’s awkward…

As for the Nightjar crew and Captain Parrish, I’ve got to tell you that they have been having a rough time of it. They lost someone important to them in the first book, as you may remember, and the past half year has served both as a mourning period and an upheaval. Life and work go on, as they must, but the rhythms are changed, and not everyone’s able to dance to the new beat. In fact, the medic and the bosun have both thrown up their hands and quit.

So for Garland and Tonio in particular, things feel precarious. That’s how it is when you lose the people who matter most to you. The ground crumbles underfoot. Everything in life is, simply, harder.

Finally, there’s the Fleet’s chief Duelist, Judge-Advocate Clydon Banning of Sylvanna, legal eagle and sword fighter extraordinare. He isn’t even faintly bereaved. Someone died? Did I kill them? No? Then why are we discussing this, exactly?

Cly has been a busy busy boy. He has taken a leave of absence, dug deep into a bunch of musty legal codes and old lawsuits, and even reviewed his will. He has demanded and earned the equivalent of a higher security clearance from his government, and then elbowed his way into the club of higher-ups holding onto Stormwrack’s most tightly guarded secrets. Put another way, he has obliged the Convene of Nations to tell him about the existence of Earth. Now he is considering how he might best exploit this newfound knowledge… and Sophie, inevitably, will be the key to all his plans.

Do you have a favorite Stormwrack character who’s not included in this roundup? Let me know and I’ll give you a hint about what they’ve been up to.

Second books aren’t always about charm. Sometimes they’re about rolling up your sleeves, raising your fists and damnwell plunging your characters so deep into the dip you might never get them out again. A Daughter of No Nation has tall ships, sirens, man-eating cats, teenage con artists in love, dryads, slaves, leech attacks, tedious dinners with frightful cousins–because danger has many flavors–a really nasty kudzu infestation and the resurrection of a dead conspirator on Issle Morta, island of the judgey monks.

Doesn’t that all just kinda scream holiday gift?

Bonding around the house

CZP-LicenceExpired-INVITEThe always awesome Corey Redekop has been interviewing the authors who participated in the all-Canadian James Bond anthology License Expired. Here’s what I had to say about “Through Your Eyes Only,” my Moneypenny story set in 1974 Saigon. And here’s Kelly’s interview on “The Gladiator Lie.”

Kelly, in case you haven’t noticed, is having an outstanding rookie year. I’m proud to say her “Waters of Versailles” is on the Nebula suggested list in the novella category. You can read it for free at Tor.com, and I guarantee you won’t be sorry. For a list of her other fiction, check out this list on her site.

J. Kathleen Cheney thinks heroines are witches

Dreaming Death by J. Kathleen Cheney

Dreaming Death by J. Kathleen Cheney

J. Kathleen Cheney is a former teacher and has taught mathematics ranging from 7th grade to Calculus, with a brief stint as a Gifted and Talented Specialist.  Her novella “Iron Shoes” was a 2010 Nebula Award Finalist.  Her novel, The Golden City was a Finalist for the 2014 Locus Awards (Best First Novel). The final book in that series, The Shores of Spain came out in July, and a new series will debut in February 2016 with Dreaming Death.

Is there a literary heroine on whom you imprinted as a child? A first love, a person you wanted to become as an adult, a heroic girl or woman you pretended to be on the playground at recess? Who was she?

I still have two books from second grade, and one of them is The Witch of Blackbird Pond, by Elizabeth George Speare. I don’t know how heroic one would consider Kit Tyler, the main character of the book. She doesn’t fight a battle, kill demons, or win the rich gentleman’s heart (actually, she does that last one but hands it back.) I admired her anyway.

I loved that book too! What was it Kit did–what qualities did she have that captured your affections and your imagination so strongly?

What Kit Tyler does is defy expectations. That’s what I admired about her. She didn’t do things simply because she’d been told to do so. Since I seem to be wired that way myself, I could relate to most of her decisions.

Some of them came from simple ignorance on her part. For example, her inability to make decent corn pudding because she’s too impatient–I understand that all too well. To this day, I lack patience in cooking.

Kit makes mistakes, and most of the time she learns from them. But a lot of her defiance is borne of a willingness to look past other peoples’ prejudices and let her conscience drive her instead. And because of that she teaches a young girl to read and makes friends with the title witch. When she’s falsely accused or witchcraft herself, she faces down her accusers in court (with the help of her friends)….even though she was given a chance to escape her jail earlier and run away. She did what she thought was right, though, while knowing it might have a terrible outcome.

Of course, because it’s a novel, things come out all right in the end.

How does she compare to the female characters in your work? Is she their literary ancestor? Do they rebel against all she stands for? What might your creations owe her?

I would like to think that most of my heroines do the right thing, even if it’s not what they’re told to do, not the socially accepted thing, or not the most financially sound decision. In a lot of ways, they do go back to that second grade reading experience. They make mistakes. I want them to learn from them, like Kit Tyler did (although I will eschew the corn pudding experience.)

And I want them to make the hard choice, the choice that they could have worked around.

Hard choices are what make a heroine, even if she’s not killing demons.

Bonus round: How do you feel about the word heroine? In these posts, I am specifically looking for authors’ female influences, whether those women they looked up to were other writers or Anne of Green Gables. Does the word heroine have a purpose that isn’t served by equally well by hero?

In most ways, hero and heroine are the same, the protagonist of the story. But heroine carries one added factor: the heroine usually has to defy societal norms. In most cultures, men are expected to step up while women are expected to wait. And that’s where a heroine’s actions can be much more subtle, yet still be heroic. In some places, heroism might be something as small as wearing trousers or going to school or talking to someone your family doesn’t approve of. And while men can face similar challenges, in most places, the bar is harder for women to cross. So I feel like the word heroine has that additional baggage attached.


About this post: The Heroine Question is my name for a series of short interviews with female writers about their favorite characters and literary influences. Clicking the link will allow you to browse all the other interviews, with awesome people like Linda Nagata, Kay Kenyon, and Louise Marley. If you prefer something more in the way of an actual index, it’s here.

Experimental Film, by @gemmafiles – Five Fucking Great Things

There are a lot of things about Experimental Film that are gaspworthy, horrifying, disturbing and exciting, and I hope to talk more about this book as time spools, but right now I just want to give you five reasons to read the living hell out of this awesome new horror novel from Gemma Files.

  1. Lois Cairns is not your standard protagonist – Lois is a woman in the midst of a profound midlife crisis. Her career has evaporated out from under her, her son’s autistic and difficult, and she can’t shake a nagging idea that it’s all her fault. She’s not twenty, or adorable, or on the cusp of love. But she’s smart and determined and fearless, and she knows more about movies than most of us could learn if we spent the next fifty years studying up.

2. The bad stuff isn’t lurking in the shadows. You know how vampires and spooks wait for it to get dark and dreary, and then creep up on you? You know that idea that you can barricade yourself in somewhere safe, and at dawn it’ll all be over for awhile? Not in this story. The dread thing in Experimental Film comes at you in the full light of a summer’s day, in all its searing heat and blinding glare.

3. I heart Haunted Toronto. This book is another piece in the creepy patchwork universe Files has created, and I love it with a love that’s true. Her characters have lunch down the street from my house. They get into full-on confrontations with monsters at the Kensington Market. And there’s always an expedition out to the backroads of cabin country, a part of the province I really haven’t seen yet, where the skin between worlds is thin and permeable and something far more disturbing than a Hellmouth is on the bubble.

4. Victorian Creep Factor, Canada Styles. The mystery at the heart of this book is about an early auteur filmmaker working in the days of silver nitrate and no rules. Iris Whitcomb made the same movie over and over, with the aid of spiritualists, as she tried to discover why her son Hyatt vanished in 1908.  Then she vanished too, from a moving train whose passenger compartment apparently caught on fire en route to the city.

5. Crunchy family stuff rounds out the dark notes. This brings us back, in a way, to the idea of an atypical hero. Lois is no lone wolf. She may want to be at times; she may be unconvinced she’s got much worthwhile going on as a wife and mother. But as she wrangles with the missing Iris and her incandescent producer, she also has to deal with her child, her marriage, her in-laws, and her own often-problematic mom. It’s not always easy to read–plenty of folks will find their own family-of-origin nerves twanging as things play out–but it’s very believable. And what good is a horror novel if you don’t feel, on some level, as if this could have happened to someone like you?

Gemma did a Heroine Question interview here back in June, by the way, so if you’re curious about who she liked to read about as a kid, check it out.

Seven short sleeps until Sophie sets sail…

(null)One short week! It’ll surprise none of you to hear that I am spending a lot of time right now doing interviews and writing guest blog posts as I gear up for the release of my fourth novel, A Daughter of No Nation.

There’s going to be a launch on December 5th at 3:00 p.m. at Bakka-Phoenix Books… let me know if you need more details. If you are in Toronto, or can get here, you’re most cordially invited.

Three other things of the book:

  • Tor.com, as you may recall, has an excerpt up for your free reading pleasure.
  • Kirkus Reviews praised both the main character, Sophie Hansa and the worldbuilding on Stormwrack. “Fans of Stormwrack will welcome another chance to set sail with Sophie.
  • Publisher’s Weekly liked it, saying “Dellamonica expands on promising worldbuilding and delivers a fantasy tale of messy family politics and social justice with plenty of action and suspense.