A.C. Wise bites into the Heroine Question

GlitterCoverFrontA.C. Wise was born and raised in Montreal, and currently lives in the Philadelphia area. Her short fiction has appeared in Shimmer, Apex, Uncanny, and The Year’s Best Dark Fantasy and Horror 2015, among other places. Her debut collection, The Ultra Fabulous Glitter Squadron Saves the World Again, will be published by Lethe Press in October 2015. Aside from her fiction, she co-edits Unlikely Story, and contributes a monthly Women to Read: Where to Start column to SF Signal. Find her online at www.acwise.net and on twitter as @ac_wise.

The inquisition began, as it always does, with this: is there a literary heroine on whom you imprinted as a child? A first love, a person you wanted to become as an adult, a heroic girl or woman you pretended to be on the playground at recess? Who was she?

Anne of Green Gables is a tempting choice, because who wouldn’t want to be her? Plus I’ve always had a thing for red hair. But since Anne has already been covered, I would say Meg Murry from A Wrinkle in Time/The Time Quintet by Madeline L’Engle. Meg is much more like me anyway. Anne is a force of nature, and I love her for it, but Meg is a quieter kind of heroine. On a related note, I’ve always been quite fond of the Mrs. Ws (Mrs. Who, Mrs. Whatsit, and Mrs. Which), from a Wrinkle in Time, but despite being heroic, and otherworldly, and amazing, they aren’t quite the center of the story in the same way as Meg, who is the story’s heart in more ways than one.

Can you remember what it was she did or what qualities she had that captured your affections and your imagination so strongly?

One of the reasons I was, and still am, drawn to Meg is the very fact that she’s a quiet heroine. She’s awkward. She doesn’t feel as smart, or talented, or confident as the rest of her family seems. Outwardly, they appear to have it all put together, and Meg is still trying to figure herself out, where she fits in the world, what she wants to do with her life. She’s caring and loyal and would do anything for her family – all good qualities in a heroine. Her bond with her little brother, Charles Wallace, is especially touching. I also appreciate the fact that she’s ‘the chosen one’ and the only one who can save Charles Wallace not because she has special, mystical powers gifted to her from on high, or because of any prophecy, but because of who she is and who she has always been. She loves her brother, and she knows him better than anyone else, and so she’s the only one who can reach him through the bond they share and bring him back home.

How does she compare to the female characters in your work? Is she their literary ancestor? Do they rebel against all she stands for? What might your creations owe her?

I would say the ladies of the Ultra Fabulous Glitter Squadron are the complete opposite of Meg Murry in many ways, and also very much like her in other ways. On the opposite side, they are far more flashy, outspoken, outwardly confident, and willing to resort to violence when it’s necessary to save the world. They’re all also older than Meg, so they’ve had more time to sort themselves out and figure out their places in the world. At the same time, they are also fiercely loyal, and love each other like family. At the end of the day, they would do anything for each other. Despite the fact that they have had more time to figure themselves out, they all still have their moments of self-doubt, questioning where they belong, and how to be the kind of people they want to be. Underneath all the glitter and glamour, they are still human after all.

How do you feel about the word heroine? In these posts, I am specifically looking for female authors’ female influences, whether those women they looked up to were other writers or Anne of Green Gables. Does the word heroine have a purpose that isn’t served by equally well by hero? 

I see hero and heroine as relatively interchangeable, but I would like to see the definition of both expanded to recognize there’s more than one way to be heroic. There’s frequently a tendency to equate strength with action. There’s nothing wrong with hero/ines who charge into burning buildings, or jump into a fight with swords-a-blazin’, but there is room in our narratives for quieter heroics, too. A parent protecting their child is a heroic act. A character standing up for what they believe in, even when (or especially when) that belief goes against the status quo. People like Meg Murray, saving her brother through love. Again, good action sequences and hero/ines saving the day in big, dramatic ways, are tons of fun, but I want to see the quieter acts of heroism from characters of all genders make it onto the page and screen. There’s room for both kinds of strength and bravery in our stories and they don’t have to contradict each other.


About this post: The Heroine Question is my name for a series of short interviews with female writers about their favorite characters and literary influences. Clicking the link will take you to all the other interviews, or there’s an index of them here.


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About Alyx Dellamonica

After twenty-two years in Vancouver, B.C., I've recently moved to Toronto Ontario, where I make my living writing science fiction and fantasy; I also review books and teach writing online at UCLA. I'm a legally married lesbian, a coffee snob, and I wake up at an appallingly early hour.

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