Fran Wilde’s first novel, Updraft, debuted from Tor Books on September 1, 2015. Her short stories have appeared at Tor.com, Beneath Ceaseless Skies, Uncanny Magazine, and in Asimovs’ and Nature. Fran also interviews authors about food in fiction at Cooking the Books, and blogs for GeekMom and SFSignal. You can find Fran at her website, Twitter, and Facebook.
My Tor.com review of Updraft, by the way, is here.
Here are the questions, and her answers!
Is there a literary heroine on whom you imprinted as a child? A first love, a person you wanted to become as an adult, a heroic girl or woman you pretended to be on the playground at recess? Who was she?
I have several – two were not literary though: Alice Paul, the political activist, and Marie Curie, the scientist. Literary Heroes include Menolly, Meg Murray, and the hero I’m talking about here – Helva from The Ship Who Sang
When I met Helva, I was undergoing treatment for scoliosis and spending a lot of time in a lunky, uncomfortable, experimental brace. Nothing like what Helva was experiencing, nor what others with more extreme conditions experience every day, and yet, that feeling of being encased — a brain in an uncomfortable container — rang so true. I remember being shocked by the first line, and the dehumanizing nature of “She was born a thing,” and even more shocked by the fact that this was one of the first stories I’d encountered that began with the word “She.”
Helva’s altering of her environment so that she could sing, and her use of the tools and her ship-body to relate to others — and her perseverance in the face of later events she couldn’t control… all of that stuck with me.
Can you remember what it was she did or what qualities she had that captured your affections and your imagination so strongly?
Her reaction to an early compliment, “You have a lovely voice,” was to fully research the concept and find what she loved in the craft, then add it to her skills. Her intellectualism, paired with her dedication to knowledge and completism (I was a bit of a completist myself… still am) captured my affections. The fact that her first partner, Jennan, spoke to her while facing where her physical form was kept cemented my affection for Jennan too.
How does she compare to the female characters in your work? Is she their literary ancestor? Do they rebel against all she stands for? What might your creations owe her?
Oh hmmm… Well the singing, which happens in a lot of my stories, except Kirit is terribly bad at singing. I think the main thing they share is grit and determination. “The only way forward is through.” That sort of thing.
How do you feel about the word heroine?
I favor the word hero. The diminutive isn’t necessary.
About this post: The Heroine Question is my name for a series of short interviews with (usually) female writers about their favorite characters and literary influences. Clicking the link will take you to all the other interviews, or there’s an index of them here. If you’re wondering about my use of the word heroine, I’ve written an essay on the subject here.