Voice, characterization, backstory, all in two lovely and quite-dense paragraphs.
Since Olivia got sense and kicked me out, I live on the quays, in a massive apartment block built in the nineties by, apparently, David Lynch. The carpets are so deep that I’ve never heard a foodstep, but even at four in the morning you can hear the hum of five hundred minds buzzing on every side of you: people dreaming, hoping, worrying, planning, thinking. I grew up in a tenement house, so you would think I’d be good with the factory-farm lifestyle, but this is difference. I don’t know these people; I never even see these people. I have no idea how or when they get in and out of the place. For all I know they never leave, just stay barricaded in their apartments, thinking. Even in my sleep I’ve got one ear tuned to that buzz, ready to leap out of bed and defend my territory if I need to.
The décor in my personal corner of Twin Peaks is divorce chic, by which I mean that, four years on, it still looks like the moving van hasn’t arrived yet. The exception is Holly’s room, which is loaded with every fluffy pastel object known to man. The day we went looking for furniture together, I had finally managed to wrestle one weekend a month out of Olivia, and wanted to buy Holly everything on three floors of the shopping center. A part of me had believed I’d never see her again.
Tana French, FAITHFUL PLACE
Sunday’s word count was 385, for a total of 4,498. My Clarion West Write-A-Thon page is here.