Saturday was our fiftieth day here in the big city, and I am definitely beginning to have a sense of things having settled. The apartment is squared away and I’m finding some satisfying routines. I’m starting to feel, for Downward Dog, the first wisps of the deep affection I felt for Open Door Yoga in Vancouver.
The landscapes are still incredibly new, of course. There is no place I can go where I’ve seen and noticed everything. By chance we spent both this past Saturday and the one before walking north up Bathhurst Street . . . and on the most recent jaunt, I saw this, which I’d totally missed the first time.
I’m building up my mental maps of the neighborhood, but there’s an enormous novelty factor. It’s exciting, because there’s always something new to see. Touristy, you know? But it also means there’s rarely a moment where I can lapse into walking on auto-pilot.
In other news, my latest session of Creating Universes, Building Worlds has opened up at the UCLA Writers’ Extension Program. (I didn’t announce registration this time simply because class filled so quickly.) I’m looking forward to meeting a new crop of writers and seeing what they write this summer.
Finally, and on a related topic, I’m not doing the Clarion West Write-a-Thon. I love this event, but the things I need to accomplish right now don’t lend themselves well to a Thon.
That’s right–I’ve reached S5 of Buffy the Vampire Slayer. Here’s my essay on the best Riley episode ever.
In other news, I am building a not-safe-for-work Grammar Cop board on Pinterest. I’m hoping this will use up the energy I spend thinking, “Its, not it’s!”
Finally, author Lynette Aspey has written a lovely essay about my Books of Chantment, Indigo Springs and Blue Magic, as well as the tie-in novelette “Wild Things.”
My year is off to a good start, photographically speaking–I went out on the first of January and look what I shot!
I also wanted to let you all know that my upcoming course at the UCLA Extension Writers’ Program, “Writing the Fantastic” (WTF, as I like to call it) has filled. There is a waiting list and you can get on it here.
Starting in a couple weeks, I will once again be teaching Novel Writing 3, which is an all-genres class that follows up on, naturally, N1 & N2. The syllabus is here: the gist is you write fifty pages and provide workshop feedback to your classmates on their novels-in-progress as you go.
Novel 3 has a somewhat lighter workshop load than N2–in the latter class, we’re putting the books under a microscope to see that they’re well begun. In this one, the workshop looks at things that are more a matter of nuance than necessity. (This is an oversimplification, but the upshot is fewer workshop weeks and more focus on your own book.)
Can you take this course if you haven’t had N1 and N2? The answer is a qualified yes. If you are fifty or more pages into a novel, and want a little structure in which to work on the next fifty–in many cases, the middle of your book–it might be for you. Check out the syllabus and talk to me. That said, The UCLA Extension Writers’ Program is also running N1 and N2 this quarter, with Dan Fante and Leslie Lehr, respectively: you can jump into that stream at the beginning. Or take the NanoWrimo course.
Finally, here’s a heads-up: I will be teaching Writing the Fantastic, my intermediate SF/F/H course, in January. This one is offered rarely and fills fast, so if you’ve been waiting do mark your calendars.
Last week I read all three of Suzanne Collins’s The Hunger Games books. It may have been too much of the same thing at once, and maybe I’ll have more to say about them once some time has passed. I also reread Into Thin Air, by Jon Krakauer, but I’ve almost certainly written about that before.
Instead of treating you to semi-coherent Peeta/Gale mumblings or some variation on Wow, I sure don’t have what it takes to be a high-altitude climber!, I will tell you that my next UCLA extension course is Novel III, it starts on October 3rd, and there’s a discount available to people who sign up before the 24th. Here’s the description from the course catalog:
For those with a minimum of 50 pages of a novel-in-progress, this workshop guides you to generate at least 50 new pages as well as learn essential self-editing techniques, with the instructor and peers reviewing each participant’s project in detail. Refinements of character, structure, emotional content, and the development of the writer’s voice also are explored. The goal is to produce a substantial portion of your novel.
You can check out the syllabus here. (It’s subject to minor changes only.)
Or, if you’d rather, here’s a newsflash: the trees know that autumn’s on the way.