Strangers Among Us: Tales of the Underdogs and Outcasts is newly out from Laksa Media. Edited by Susan Forest and Lucas K. Law, it has stories by Kelley Armstrong, Suzanne Church, Gemma Files, James Alan Gardner, Bev Geddes, Erika Holt, Tyler Keevil, Rich Larson, Derwin Mak, Mahtab Narsimhan, Sherry Peters, Ursula Pflug, Robert Runte, Lorina Stephens, Amanda Sun, Hayden Trenholm, Edward Willet and A.C. Wise. The intro was written by Julie E. Czerneda.
The stories in the anthology seek to, as the editors put it, “explore the delicate balance between mental health and mental illness,” and a portion of the anthology’s net revenue is being donated to the Canadian Mental Health Association. (Laksa Media’s motto is “Read for a Cause, Write for a Cause, Help a Cause” and you can learn more about their philosophy here.)
My own story, “Tribes,” might be said to be about sweeping your problems under a rather large rug. I have only had my contributor’s copy in the house for a day, so I’ve barely dipped into the stories here. But it’s an exciting ToC, and a cool project, and I’m delighted to have been a part of it.
Child of a Hidden Sea
I am very pleased to announce that another of the Gales, “The Boy who Would Not be Enchanted,” has been accepted for publication at Beneath Ceaseless Skies. This is the first of the stories to be slated for an appearance outside Tor.com. The first three Gales are “Among the Silvering Herd,” “The Ugly Woman of Castello di Putti” and, most recently, “The Glass Galago.”
(The fourth, “Losing Heart among the Tall,” is also slated to appear on Tor.com).
This sale may mean the stories will appear out of order, depending on publication dates. This is no great problem. They’re like a family; you can meet them out of birth order.
The Gales switch POV from story to story, and this particular piece of the puzzle is told by one of the characters who is important in the Hidden Sea Tales universe but who doesn’t get as much time in the sun, especially in A Daughter of No Nation, as some of you would like: Nightjar’s gay first mate, Tonio Cappodocio. It is a tale he tells when he’s reached the grand old age of seventeen, and is looking back on Gale Feliachild, Garland Parrish and his youthful stowaway adventure of so many years before. (Five years, in other words. Oh, what a foolish twelve year old he was!)
I love this story, and have been reading bits of it for years at queer-themed events. I’m thrilled about this sale, and excited about you all getting to read it.
“The Glass Galago”
On Wednesday the third of the Gales, “The Glass Galago,” will be launching at Tor.com. (The first two Gales are “Among the Silvering Herd” and “The Ugly Woman of Castello di Putti”.) This new story takes Gale Feliachild and Garland Parrish to the Fleet itself. It’s not the first visit for either of them, obviously, but it’s their first time together. Gale learns a little more about what it was that got Garland disgraced and kicked out of the service. I hope you guys like it.
I was offline a fair bit during the holidays: didn’t eschew Facebook or Twitter, by any means, but I definitely spent more of my waking hours away from the computer. When I was working, it was often on fiction. There’s a proposal I’m pulling together for what might be my next ecofantasy novel; its working title is Tom the Liar, largely because in my head the main character shares some traits with the Hiddleston Loki. My editors have also sent some notes back on The Nature of a Pirate, so I’m keen to buckle down to revisions. I worked on setting up a spring book tour, and should be announcing dates soon. I thought about some teaching stuff and tried mightily to finish reading David Jaher’s The Witch of Lime Street: Séance, Seduction, and Houdini in the Spirit World, but didn’t quite get that done before the new year.
The holidays themselves were low-key and pleasant. There was some sleeping in, some feasting, some wonderful time spent with friends. And now it’s snowing in Toronto, and 2016 has come, and I am looking forward to a year filled with wonders and surprises.
photo by Kelly Robson
‘Tis the season when we count up our blessings and our publications, and for me, the big news in 2015 was the publication of A Daughter of No Nation, the second of my Hidden Sea Tales novels and follow-up to Child of a Hidden Sea.
For anyone who is just getting into this series and the world it takes place in, Stormwrack, there are some prequel stories about Gale Feliachild and the damnably handsome Garland Parrish, set when both of them are much younger and, in the latter case, even more innocent. They are available for free on Tor.com, and are entitled:
“Among the Silvering Herd”
“The Ugly Woman of Castello Di Putti,”
and–coming soon!–“The Glass Galago.”
I did have two other stories out in 2015, and by a weird twist of fate they were both part of larger universes, places not created by me. The first was a story called “Rate of Exchange” in S.M. Stirling‘s The Change: Tales of Downfall and Rebirth. The second was my story about Miss Moneypenny, which appeared in License Expired: the Unauthorized James Bond, edited by Madeline Ashby and David Nickle. It’s called “Through Your Eyes Only.”
A Daughter of No Nation
“Through Your Eyes Only,” by A.M. Dellamonica, License Expired The Unauthorized James Bond
With everything lately being so delightfully focused on the A Daughter of No Nation release, I haven’t managed until now to crow about selling Susan Forest and Lucas K. Law a story called “Tribes” to Strangers Among Us: Tales of the Underdogs and Outcasts. The TOC is here and includes an introduction from Julie Czerneda as well as stories by Gemma Files, Kelley Armstrong, James Alan Gardner and many other wonderful authors.
The anthology will launch at When Words Collide in Calgary; a portion of the net revenue from the book will go directly to support programs provided by Canadian Mental Health Association.
Meanwhile, here’s what Paul Weimar at SF Signal has to say about the new book:
That wonderous world of Stormwrack itself is convincingly expanded as well. With all of the island nations and the cultures that make up the mosaic of Stormwrack, the author has a wide canvas to go both broadly across the world, as well as deeply within the structures that make the world work. We learn about the island home of Sophie’s father, more about the Fleet of migrating ships, and much more. Courts, law, science, social customs both large and small are revealed, and Stormwrack is as tangled, complex, contradictory and interesting as our own world.