The always awesome Corey Redekop has been interviewing the authors who participated in the all-Canadian James Bond anthology License Expired. Here’s what I had to say about “Through Your Eyes Only,” my Moneypenny story set in 1974 Saigon. And here’s Kelly’s interview on “The Gladiator Lie.”
Kelly, in case you haven’t noticed, is having an outstanding rookie year. I’m proud to say her “Waters of Versailles” is on the Nebula suggested list in the novella category. You can read it for free at Tor.com, and I guarantee you won’t be sorry. For a list of her other fiction, check out this list on her site.
“The Glass Galago”
I am pleased to announce that Christopher Morgan at Tor.com has bought the fourth of The Gales, a story called “Losing Heart Among the Tall,” which tells the story of how Gale Feliachild and Garland Parrish convinced Gale’s sister, Beatrice, to hide a certain powerful object that plays a big role in the conspiracy at the heart of Child of a Hidden Sea.
This fantastic news comes hard on the heels of receiving my beautiful Richard Anderson cover art for the third of The Gales, “The Glass Galago,” which will be out early next year.
I thought I’d celebrate by running down the list of every last one of the fictional things I have on the Tor site, available to anyone who’s interested for absolutely free.
So! A Daughter of No Nation will be out in 13 days, and you can read an early chapter of the book here! This novel is the sequel to Child of a Hidden Sea, and here’s the excerpt for that.
The Gales, meanwhile, are prequels to the above two novels. First in order is “Among the Silvering Herd,” and the second is called “The Ugly Woman of Castello di Putti.”
Moving on to a completely different series, you can check out my sexy novelette, “Wild Things,” which is a tie-in to the world of my award winning first novel Indigo Springs and its sequel, Blue Magic.
Last but by no means least, I have two stand-alone works: a time travel horror story called “The Color of Paradox” and my ever-popular ‘baby werewolf has two mommies’ story, “The Cage,” which made the Locus Recommended Reading List for 2010.
“The Glass Galago”
On Wednesday in Saratoga Springs I got to see three variations of this spectacular cover for “The Glass Galago,” which is the third* of The Gales and which will be out in a couple months. Irene Gallo showed me this lush and beautiful Richard Anderson image, and I squealed like a little child newly in possession of all the ice cream.
*The first two Gales are Among the Silvering Herd and The Ugly Woman of Castello di Putti.
I am sitting in the hotel room in Saratoga Springs as I write this, checking my UCLA classrooms and talking with my students about what makes a person or non-human character monstrous. They’re asking: is the monstrous always just about making someone Other? Some might say any ordinary person with a defective moral compass–your classic heartless killer or other all-too-human predator– can be a monster. And in non-fiction, that scans for me. If a journalist wants to call Charles Manson a monster, I’m not going to quibble.
In fiction, my taste runs to the more than human monsters. I like for them to have a whiff of the transcendent. In the above series of stories, Gale Feliachild occasionally regards Captain Garland Parrish as monstrous, even though he’s not even remotely evil. He’s overly blessed by nature, you see: impossibly handsome, exceedingly graceful, and good at almost everything he turns his mind to. It’s just about too much. He’s good, but he can easily be jealousy-inducing. We all know people like this: coveting their good fortune makes us feel small, and it’s hard not to blame them.
The current TV version of Hannibal Lecter has an intense aestheticism and is so robustly athletic that he’s as hard to kill as The Terminator. Some of his qualities are appealing–his love is so pure!–and that makes his compulsion to kill and eat the rude all the more awful. And the fact that we can empathize with the idea of quelling the rude, neglectful and genuinely awful people we run across from time to time actually increases the effect… it invites us to consider whether we might not condone more than we should.
Even as I wend my way toward Saratoga Springs and the World Fantasy Convention, Tor.com is running an excerpt from A Daughter of No Nation. This is your very first chance to get back aboard the sailing vessel Nightjar, captained as always by the impossibly upright Garland Parrish and his intrepid crew.
If you haven’t been to the world of Stormwrack before now, and this taste persuades you to try a little more, Child of a Hidden Sea is on sale for $2.99 in all the major ebook retailers. Or check out the first two of The Gales, “Among the Silvering Herd” and “The Ugly Woman of Castello di Putti.” (A third Gale story is in the works, folks–it’s called “The Glass Galago” and will be out in early 2016.)
Some of you may also remember that I ran a draw in October, for a copy of CHS or any one of my previous books. I have rolled a many-sided die (once a gamer, always a gamer) and thereby chosen a winner, but contacting her has proven tricky so I’m going to hold off on announcing a name for now.
For anyone looking to connect with me at the World Fantasy Convention, here’s my schedule as it stands now…
Thursday November 5th
Real World Nomenclature, Taboos, and Cultural Meaning
The panel discusses the thorny issue of real world terms that often bear loaded meanings and concepts being transported wholesale into Fantasy worlds. Swearing, cursing, and racial epithets can cause controversy and out-cry. Commonly accepted terms change meaning over time and become taboo. As the politics of the real world change, is there a concurrent transposition into Fantasy worlds?
A.M. Dellamonica (mod.), Didi Chanoch, Steve Erikson, Don Pizarro, Mark van Name
When Magic Meets Science
Fantasy, and the Epic in particular, have a tendency to ignore the progress of the sciences, but there are some great stories out there which tackle the issue of technological advancement in a Fantasy world. Our panel will discuss the tension between science, technology and magic, and some of the narratives that play with our notions of technological progress in a Fantasy world, from the Discworld to Malazan and to Flintlock Fantasies.
Julie Czerneda (mod.), Donald Crankshaw, A.M. Dellamonica, Chris Gerwell
Friday November 6th
Politics, Economics and Power in Fantasy worlds
Some fantasy authors give little thought to the underlying notions of power and politics that underpin the nations of their Fantasy realms, while others are only too aware of what they borrow from the world. The panel discusses the issues of politics and power dynamics in works of Fantasy that explore, explode, or subvert the norms.
Paul Park (mod.), A.M. Dellamonica, Mark van Name, Rick Wilber, Chelsea Quinn Yarbro
Saturday November 7th