“The Glass Galago”
On Wednesday the third of the Gales, “The Glass Galago,” will be launching at Tor.com. (The first two Gales are “Among the Silvering Herd” and “The Ugly Woman of Castello di Putti”.) This new story takes Gale Feliachild and Garland Parrish to the Fleet itself. It’s not the first visit for either of them, obviously, but it’s their first time together. Gale learns a little more about what it was that got Garland disgraced and kicked out of the service. I hope you guys like it.
I was offline a fair bit during the holidays: didn’t eschew Facebook or Twitter, by any means, but I definitely spent more of my waking hours away from the computer. When I was working, it was often on fiction. There’s a proposal I’m pulling together for what might be my next ecofantasy novel; its working title is Tom the Liar, largely because in my head the main character shares some traits with the Hiddleston Loki. My editors have also sent some notes back on The Nature of a Pirate, so I’m keen to buckle down to revisions. I worked on setting up a spring book tour, and should be announcing dates soon. I thought about some teaching stuff and tried mightily to finish reading David Jaher’s The Witch of Lime Street: Séance, Seduction, and Houdini in the Spirit World, but didn’t quite get that done before the new year.
The holidays themselves were low-key and pleasant. There was some sleeping in, some feasting, some wonderful time spent with friends. And now it’s snowing in Toronto, and 2016 has come, and I am looking forward to a year filled with wonders and surprises.
“The Glass Galago”
I am pleased to announce that Christopher Morgan at Tor.com has bought the fourth of The Gales, a story called “Losing Heart Among the Tall,” which tells the story of how Gale Feliachild and Garland Parrish convinced Gale’s sister, Beatrice, to hide a certain powerful object that plays a big role in the conspiracy at the heart of Child of a Hidden Sea.
This fantastic news comes hard on the heels of receiving my beautiful Richard Anderson cover art for the third of The Gales, “The Glass Galago,” which will be out early next year.
I thought I’d celebrate by running down the list of every last one of the fictional things I have on the Tor site, available to anyone who’s interested for absolutely free.
So! A Daughter of No Nation will be out in 13 days, and you can read an early chapter of the book here! This novel is the sequel to Child of a Hidden Sea, and here’s the excerpt for that.
The Gales, meanwhile, are prequels to the above two novels. First in order is “Among the Silvering Herd,” and the second is called “The Ugly Woman of Castello di Putti.”
Moving on to a completely different series, you can check out my sexy novelette, “Wild Things,” which is a tie-in to the world of my award winning first novel Indigo Springs and its sequel, Blue Magic.
Last but by no means least, I have two stand-alone works: a time travel horror story called “The Color of Paradox” and my ever-popular ‘baby werewolf has two mommies’ story, “The Cage,” which made the Locus Recommended Reading List for 2010.
Tor.com has released the cover for a story I sold Ellen Datlow not long ago, “The Color of Paradox.” The image is by Jeffrey Alan Love and it’s very creepy and appropriate. I feel as though I could fall into it, staring for endless hours… or possibly just until the kittens do something irresistible. (Attention spans are lamentably short at Dua Central right now.)
The elongation of the figure and its placement in the upper left corner draw the eye first, delaying the moment when you track down to the city and see that Bad Things are happening. The brushwork is delightfully scratchy, and naturally I headed right off to Love’s blog to see what the rest of his work looked like. He’s got an image for Tolkien’s Beowulf that is sheerly amazing, and I liked his take on Excalibur, “The Sword in the City” very much.
“The Color of Paradox” is a first attempt to write something I have been trying to wrap my head around for years: a series or novel or some damned thing set in a universe where there’s time travel, but it only moves backward. All of the missions are one-way missions. You can receive instructions and resources from the future, but your only option for responding is to essentially leave time capsules where nobody else will find them.
It is also one of those stories that grabbed me and wouldn’t let go. I dropped everything and wrote it in a bit of a mad haze. It’s very different from Stormwrack and the impulse was probably driven by a desire to write in a different key.
Another thing about the story that delights me is having gotten to work with Ellen Datlow again, because she is a brilliant and generous editor and it had been too long since I had anything to send her.
It will be live on the Tor site and readable, for free, on June 25th, the same day Child of a Hidden Sea hits bookstores.
Here’s what Tor.com says about “The Ugly Woman of Castello Di Putti,” which is live on the site today. (The lovely cover illustration is by Richard Anderson)
Returning to the world of Stormwrack where she set the Tor.com story “Among the Silvering Herd,” A.M. Dellamonica offers a new story that takes us deeper into this fascinating world, the setting of her new fantasy novel Child of a Hidden Sea.
The Fleet, integral to the governing of a world that is mostly water sprinkled with a number of islands, must deal with a unique form of magic, inscription, which is so subtle that its effects can sometimes only be known in retrospect. When a ship of the Fleet visits an island where scripping is common, the crew members of the sailing vessel Nightjar are at a disadvantage when faced with local matters of which they know little. Strangers on the shore, indeed, they may enjoy the local customs… but also may attract unwanted attention that could cost them more than embarrassment or money.
The Castello di Putti has a suggestive sound to it, but don’t be deceived. This is a story of civil strife, of culture shock, and ultimately of the risks and rewards of naval duty. Filled with Dellamonica’s fresh, inventive worldbuilding and the joie de vivre of a society in flux, it shows a side of Stormwrack very different from that presented in the previous tale.
Here’s the opening paragraph:
They had barely come ashore before the riot started.
Sindria, capital of Erinth, was a city of black marble and volcanic glass, a dark architectural foundation layered in color and light. Carved urns and stone window boxes built into the structures all burst with bougainvillea and daisies. Fruit trees nodded along the avenues, laden with oranges, lemons, and sun-burnished golden plums.
As they strode up from the landing, they passed a young couple, a fine-featured woman and handsome man, decked out in vivid fabrics, leaning on each other and sharing the support of a sturdy hardwood walker.
I am up to “Lies my Parents Told Me,” this week on Buffy. This leaves me with three S7 episodes left. It has been a lot of fun, but I’ll be glad to change gears a little, and write about some other things for awhile. Perhaps even books! Or other shows. I have been enjoying Black Sails very much, for example. Toby Stephens! Pirates! Adventure on the high seas!