With everything lately being so delightfully focused on the A Daughter of No Nation release, I haven’t managed until now to crow about selling Susan Forest and Lucas K. Law a story called “Tribes” to Strangers Among Us: Tales of the Underdogs and Outcasts. The TOC is here and includes an introduction from Julie Czerneda as well as stories by Gemma Files, Kelley Armstrong, James Alan Gardner and many other wonderful authors.
The anthology will launch at When Words Collide in Calgary; a portion of the net revenue from the book will go directly to support programs provided by Canadian Mental Health Association.
Meanwhile, here’s what Paul Weimar at SF Signal has to say about the new book:
That wonderous world of Stormwrack itself is convincingly expanded as well. With all of the island nations and the cultures that make up the mosaic of Stormwrack, the author has a wide canvas to go both broadly across the world, as well as deeply within the structures that make the world work. We learn about the island home of Sophie’s father, more about the Fleet of migrating ships, and much more. Courts, law, science, social customs both large and small are revealed, and Stormwrack is as tangled, complex, contradictory and interesting as our own world.
photo by Kelly Robson
Author Fran Wilde (my review of her novel Updraft can be found here!) was kind enough to ask me about food on Stormwrack for her Book Bites feature, and nobody will be surprised to hear that I had plenty to say on that subject. Meanwhile, over at Charlie Stross’s blog, I have a piece called “Confessions of a (half-assed) news avoider“, which would be, indirectly, about how I’m doing everything in my power to protect my brain from toxins like the storm of infuriating factoids on offer, 24/7, about the U.S. Presidential race.
Next week there will be a flurry of other interviews with book bloggers like Cherry Blossoms and Maple Syrup and The Book Wars. Some of the questions were very cool indeed.
Tor.com, meanwhile, has posted their December-January fiction roster, with stories by Michael Swanwick, David Nickle, and Kim Stanley Robinson. My “The Glass Galago,” third of The Gales, will be out on January 6th.
The always awesome Corey Redekop has been interviewing the authors who participated in the all-Canadian James Bond anthology License Expired. Here’s what I had to say about “Through Your Eyes Only,” my Moneypenny story set in 1974 Saigon. And here’s Kelly’s interview on “The Gladiator Lie.”
Kelly, in case you haven’t noticed, is having an outstanding rookie year. I’m proud to say her “Waters of Versailles” is on the Nebula suggested list in the novella category. You can read it for free at Tor.com, and I guarantee you won’t be sorry. For a list of her other fiction, check out this list on her site.
“The Glass Galago”
I am pleased to announce that Christopher Morgan at Tor.com has bought the fourth of The Gales, a story called “Losing Heart Among the Tall,” which tells the story of how Gale Feliachild and Garland Parrish convinced Gale’s sister, Beatrice, to hide a certain powerful object that plays a big role in the conspiracy at the heart of Child of a Hidden Sea.
This fantastic news comes hard on the heels of receiving my beautiful Richard Anderson cover art for the third of The Gales, “The Glass Galago,” which will be out early next year.
I thought I’d celebrate by running down the list of every last one of the fictional things I have on the Tor site, available to anyone who’s interested for absolutely free.
So! A Daughter of No Nation will be out in 13 days, and you can read an early chapter of the book here! This novel is the sequel to Child of a Hidden Sea, and here’s the excerpt for that.
The Gales, meanwhile, are prequels to the above two novels. First in order is “Among the Silvering Herd,” and the second is called “The Ugly Woman of Castello di Putti.”
Moving on to a completely different series, you can check out my sexy novelette, “Wild Things,” which is a tie-in to the world of my award winning first novel Indigo Springs and its sequel, Blue Magic.
Last but by no means least, I have two stand-alone works: a time travel horror story called “The Color of Paradox” and my ever-popular ‘baby werewolf has two mommies’ story, “The Cage,” which made the Locus Recommended Reading List for 2010.
“The Glass Galago”
On Wednesday in Saratoga Springs I got to see three variations of this spectacular cover for “The Glass Galago,” which is the third* of The Gales and which will be out in a couple months. Irene Gallo showed me this lush and beautiful Richard Anderson image, and I squealed like a little child newly in possession of all the ice cream.
*The first two Gales are Among the Silvering Herd and The Ugly Woman of Castello di Putti.
I am sitting in the hotel room in Saratoga Springs as I write this, checking my UCLA classrooms and talking with my students about what makes a person or non-human character monstrous. They’re asking: is the monstrous always just about making someone Other? Some might say any ordinary person with a defective moral compass–your classic heartless killer or other all-too-human predator– can be a monster. And in non-fiction, that scans for me. If a journalist wants to call Charles Manson a monster, I’m not going to quibble.
In fiction, my taste runs to the more than human monsters. I like for them to have a whiff of the transcendent. In the above series of stories, Gale Feliachild occasionally regards Captain Garland Parrish as monstrous, even though he’s not even remotely evil. He’s overly blessed by nature, you see: impossibly handsome, exceedingly graceful, and good at almost everything he turns his mind to. It’s just about too much. He’s good, but he can easily be jealousy-inducing. We all know people like this: coveting their good fortune makes us feel small, and it’s hard not to blame them.
The current TV version of Hannibal Lecter has an intense aestheticism and is so robustly athletic that he’s as hard to kill as The Terminator. Some of his qualities are appealing–his love is so pure!–and that makes his compulsion to kill and eat the rude all the more awful. And the fact that we can empathize with the idea of quelling the rude, neglectful and genuinely awful people we run across from time to time actually increases the effect… it invites us to consider whether we might not condone more than we should.