I am newly back at work after a thoroughly fun-filled week in London, where Kelly and I devoured one incandescent play, seven museums, multiple castles, some exquisite cream tea and scone combos and Tube Stations beyond count. We posted highlights and selfies as we went, along with dance videos.
One of the social media things I’m incredibly enchanted by, with regard to my own photography, is watching my Instagram map fill up with little tags of the places I’ve been and seen. This is a snippet of my posting activity for the period when we were gone.
If I had nothing but time to spend on zooming in and out on this map, attempting to create the maximum density of Polaroid-shaped images that prove I Was So Totes There!, I would do little else. Dinner would burn and the children would starve. One Of the main reasons we walked through Covent Gardens was so I could fill a blank spot on the map.
One of the other geeky things I did was accept a Fitbit challenge from a friend who perhaps should have guessed I’d walk as much or more if I was on vacation. He did very well, though–I didn’t quite walk him into the ground. Still won, though. (This concludes the unattractive gloating portion of our post.)
I didn’t mention this online while we were travelling, but I killed my camera on the first night.
This wasn’t an entirely terrible thing. I have been engaged in low-grade waffling about my birdhunting camera for a fair number of months now. It was somewhat elderly, but not so frail it couldn’t have been donated to a good home. Like all of my cameras, it was a point and shoot, but for a P&S it has an enviable zoom for nature photography, and it let me get good candids and some appealing faraway details on architecture and other inaccessible pretty things. But I haven’t done much birding and wildlife shooting since moving to Toronto, and Birdhunter was heavy. I have wee, wimpy overused wrists, after all. The thing was also always a bit of a lemon: glitchy in minor but irritating ways. I was trying to figure out what I wanted in my next camera. I did a lot of thinking and feeling and maundering and I won’t spell it all out here, lest someone mistake this as an invite to advise me. I hadn’t reached any conclusions.
So I took it to London and, on the first night in a bathroom stall at the globe, hung it on a hook that did not support its weight. Smash! So all but the first hundred or so of the 1572 London pics in my Flickr Album were shot with the iPhone. I have a set of lenses for the phone, a gift from a friend, and I experimented with them for a couple of days–I’d been meaning to do that, so hurrah! Then I decided to just keep it simple.
Upshot: most of the pictures I got are ones I’m quite happy with. I grieve for the close-up I would have gotten of that fox in Kew Gardens. I got so close! (The reason: an old lady was chumming the lawns with bread.) I wish I’d had a shot at one of the parrots. But the phone worked decently well for tourist pics, and the next phone, with a better set of lenses… that may be the route I take until I’m ready to start seriously birding again.
Why, yes, I did say dance videos. Here’s Kelly performing at the Tower of London.
Friday happened and I didn’t manage to post anything… honestly, because I forgot I was trying for a few gratitudes to wrap up the week. But…
One of the things that is exceedingly lovely for me is that notes are coming in from my trusted readers on the nth-draft version of The Nature of a Pirate, and the feedback so far leads me to believe that it’s about as good as I think it is, with a few fixable flaws to give it personality.
Even now, Kelly is typing madly at the last of what I know will be an excellent and insightful round of comments.
Two: I have begun work on what I hope will be a short story (as opposed to a novelette, or a novellismo, or a novella, or some other deitydamned long thing, that is) and I’m dictating the draft. Its working titles are “The Perils of Slow Reflexes in Meatspace” and/or possibly “The Euphemism Font.” Dictating meant I could work anywhere, and I spent a happy couple of hours on the shore of Lake Ontario today, looking at all my fellow sun-worshippers, enjoying the breeze, committing fiction, laughing at doggy antics and taking the occasional bird photo. Then I went to the bakery and bought a serious load of Forno Cultura cookies and bread items, which is a source of gratitude all on its own.
Third and finally: I am beginning to bash away at the beginnings of having a Redbubble store for a few of my best photographs. What this means, eventually, will be that a handful of them will be up all the time for the ordering, as prints, greeting cards, tablet skins, and what-have-you. And when someone asks for a print of something specific, as sometimes happens, I’ll add that to the mix, possibly on a limited-time-offer kind of deal.
What it means now is a lot of experimenting and play, some of it with photos that will only be up until I determine exactly what I want. One of the current experiments is the above shot of CinCin, which–thanks to Cats of Instagram–is now and will probably remain the shot of mine seen by most humans anywhere ever.
If you’ve asked for a print in the past, still want it, and remember the shot (or can even describe it using your words) let me know and I’ll bump it up the queue. And yes–the dragonfly close-up will go up soon, I promise, once I’ve racked up a few more experiments.
The first person I met when I went to university orientation, back in 1985, was Christina: a voracious reader, Henry VIII aficionado and fellow theater geek who joined the student newspaper the same day I did. We laughed, we learned, we did a bunch of shows… and, in the fullness of time, we eventually graduated. Due in part to the mixed miracle that is Facebook, we have remained connected.
Xtina came to Toronto with her husband Scott last weekend, and by way of celebrating Kelly’s birthday took us on Sunday to the African Lion Safari in Cambridge. Ontario friends, I am surprised that it was a couple of Alberta kids who told us there were lions, omg lions, within easy driving distance. To say nothing of the rhinos.
We rounded out the day with a quick run to the Devil’s Punchbowl and then went on to the Vegas-for-families tourist explosion that is Niagara Falls. The splendid natural impressiveness of all that falling water did, once again, transcend the horror of the crowds and the tourist tack.
(I will note for the record that Niagara Falls has the most sewerific Starbucks bathroom I have ever seen. Scott will back me up on this, so you don’t need a photo.)
The full photo set is here.
When we were recently in Boston, we ended up tooling through Whole Foods in search of fruit, yogurt, airplane snacks and the particular kind of entertainment that comes of briefly staring at things you would never seriously consider buying. Among these were some slogan-y fridge magnets, including one that seemed like it could be my new national anthem: Let Go or Be Dragged.
This, at first glance, seemed like a kinder-gentler revision of an attitude I sometimes find myself holding, which might be characterized as Get Out of My Way Before I Set You on Fire.
I do not like to feel impeded. Oh, I know–who does? I’m not a special snowflake in this, though I may be more than usually mulish about plowing on regardless once I’ve decided on a goal.
Anyway, we got back to the fabulous Oasis Guest House, where the WiFi was free-flowing and delicious, and I decided to pin the expression. Upon googling the phrase, I found it’s credited as being a Zen proverb. This presumably means that it doesn’t necessarily arise from the I and my flamethrower are coming through now, thanks place, as I had initially assumed.
I decided I was okay with that, and that I could hold the one reading but maybe strive for the other, and so I pinned it. And damn if Pinterest didn’t then offer up all sorts of other peace & luv bon mots. Of which I did genuinely like a few:
You can’t fix yourself by breaking someone else seemed kind of pertinent to some of the things I’ve been talking about lately.
What you allow is what will continue is something I mean to think about. It’s not bad, but there may be a kernel of victim-blaming there.
Fall seven times, stand up eight, on the other hand, has that Karate Kid can-do spirit we all know and love.
What are your mantras and how well do they hold up to overly critical scrutiny?
Here’s the Boston photoset. I’m still curating, a little, but it’ll give you the general idea. https://flic.kr/s/aHskfCerFP
In the past week the temperatures have swung up above freezing. The icicles I’ve been photographing everywhere have vanished, and the snowdrifts are shrunken, dirty shadows of their former selves. Litter and other appalling, filthy things are emerging as they melt; this is one of the things I never loved about the end of winter, when I lived in Alberta. Still, the sidewalk-hoovers were out in force today, sucking up the crap. It’s unutterably cool to live in a city where the city pays humans to vacuum the sidewalks.
My Novel Writing II class is winding down. Final submissions came in yesterday, which makes this another week where I’ll write about 10k words of critique. (Novel III is up next, in the spring and there’s still room for a couple more writers.)
Kelly and I went and wrote fiction at the TIFF Bell Lightbox lounge, Luma, a couple times last week, in the evening. They seem to have all the good things: tables big enough for two or four people to work on, good windows, caffeinated beverages, adult beverages, nibbles, desserts, and not-too-obnoxious ambient music. (Jimmy’s on Gerrard, I am looking at you.)
The Lightbox is about a ten minute walk from our place, and my dream (one day I’m sure we’ll make it happen) is that someday we’ll follow up a writing date with an 8:00 p.m. movie of some variety.
Speaking of Kelly, her story “Good for Grapes” is out now in New Canadian Noir, and can be found in an ever-increasing number of bricks-and-mortar and virtual bookstores. Corey Redekop is doing mini-interviews with a number of the NCN authors: here’s hers.