“The Glass Galago”
I am pleased to announce that Christopher Morgan at Tor.com has bought the fourth of The Gales, a story called “Losing Heart Among the Tall,” which tells the story of how Gale Feliachild and Garland Parrish convinced Gale’s sister, Beatrice, to hide a certain powerful object that plays a big role in the conspiracy at the heart of Child of a Hidden Sea.
This fantastic news comes hard on the heels of receiving my beautiful Richard Anderson cover art for the third of The Gales, “The Glass Galago,” which will be out early next year.
I thought I’d celebrate by running down the list of every last one of the fictional things I have on the Tor site, available to anyone who’s interested for absolutely free.
So! A Daughter of No Nation will be out in 13 days, and you can read an early chapter of the book here! This novel is the sequel to Child of a Hidden Sea, and here’s the excerpt for that.
The Gales, meanwhile, are prequels to the above two novels. First in order is “Among the Silvering Herd,” and the second is called “The Ugly Woman of Castello di Putti.”
Moving on to a completely different series, you can check out my sexy novelette, “Wild Things,” which is a tie-in to the world of my award winning first novel Indigo Springs and its sequel, Blue Magic.
Last but by no means least, I have two stand-alone works: a time travel horror story called “The Color of Paradox” and my ever-popular ‘baby werewolf has two mommies’ story, “The Cage,” which made the Locus Recommended Reading List for 2010.
Even as I wend my way toward Saratoga Springs and the World Fantasy Convention, Tor.com is running an excerpt from A Daughter of No Nation. This is your very first chance to get back aboard the sailing vessel Nightjar, captained as always by the impossibly upright Garland Parrish and his intrepid crew.
If you haven’t been to the world of Stormwrack before now, and this taste persuades you to try a little more, Child of a Hidden Sea is on sale for $2.99 in all the major ebook retailers. Or check out the first two of The Gales, “Among the Silvering Herd” and “The Ugly Woman of Castello di Putti.” (A third Gale story is in the works, folks–it’s called “The Glass Galago” and will be out in early 2016.)
Some of you may also remember that I ran a draw in October, for a copy of CHS or any one of my previous books. I have rolled a many-sided die (once a gamer, always a gamer) and thereby chosen a winner, but contacting her has proven tricky so I’m going to hold off on announcing a name for now.
By way of a tasty appetizer for the release of A Daughter of No Nation, my marvelous publisher Tor Books has put the e-book edition of Child of a Hidden Sea on sale in all digital formats: Kindle, iBook, B&N Nook, Kobo and Google Play. Feel like spreading the word? Here’s a Tweet:
A second appetizer course will be coming your way shortly, in the form of an excerpt from the new book, which will be out December 1st.
Meanwhile, don’t forget that Goodreads giveaway. The odds are currently about one in a hundred for you to be one of five lucky winners who’ll get advance copies of the novel. And I’m running a contest for a copy of your choice of my first three novels. You can still get in on both draws- details are here!
For anyone looking to connect with me at the World Fantasy Convention, here’s my schedule as it stands now…
Thursday November 5th
Real World Nomenclature, Taboos, and Cultural Meaning
The panel discusses the thorny issue of real world terms that often bear loaded meanings and concepts being transported wholesale into Fantasy worlds. Swearing, cursing, and racial epithets can cause controversy and out-cry. Commonly accepted terms change meaning over time and become taboo. As the politics of the real world change, is there a concurrent transposition into Fantasy worlds?
A.M. Dellamonica (mod.), Didi Chanoch, Steve Erikson, Don Pizarro, Mark van Name
When Magic Meets Science
Fantasy, and the Epic in particular, have a tendency to ignore the progress of the sciences, but there are some great stories out there which tackle the issue of technological advancement in a Fantasy world. Our panel will discuss the tension between science, technology and magic, and some of the narratives that play with our notions of technological progress in a Fantasy world, from the Discworld to Malazan and to Flintlock Fantasies.
Julie Czerneda (mod.), Donald Crankshaw, A.M. Dellamonica, Chris Gerwell
Friday November 6th
Politics, Economics and Power in Fantasy worlds
Some fantasy authors give little thought to the underlying notions of power and politics that underpin the nations of their Fantasy realms, while others are only too aware of what they borrow from the world. The panel discusses the issues of politics and power dynamics in works of Fantasy that explore, explode, or subvert the norms.
Paul Park (mod.), A.M. Dellamonica, Mark van Name, Rick Wilber, Chelsea Quinn Yarbro
Saturday November 7th
Right after I turned in The Nature of a Pirate Kelly and I had a vacation, followed by a lot of out of town company. I’ve spent much of the time since then considering a possible Nanowrimo project, mostly because I was feeling the need for a bit of a mental kickstart while I waited for notes on that third Sophie book.
I wasn’t sure cranking out a draft in November was the best idea ever, though the book (tentatively titled Exposure) has some definite cool things. But we’re on the road in November, headed to the World Fantasy Convention in Saratoga Springs–I’ll post my schedule soon! I’ll be in the lucky position soon of having to do promotion for A Daughter of No Nation. And my nano drafts tend to be shambling, unlovely things, studded with wonders, blood and miracles, but a lot of work to beat into shape.
The other recent project was pulling together a grant application to do just that, polish up a book set in the same universe as the newly outlined yet purely theoretical Exposure. It’s called The After People, and it has an excellent beginning, one chained like a plow horse to a somewhat mud-spattered middle and end. I’ve wanted to set aside time to clean up AP for awhile, but Stormwrack things have, of course, been more important. Writing a trilogy while lunging across the country, it turns out, is something of a long haul.
Anyway, my somewhat cursory records seemed to show that I had sent out a grant application for AP in the spring, but I was sure that couldn’t be right. There was no rejection in my files, for one thing, and anyway I didn’t remember applying. Remembering is something I apparently can’t be bothered to do anymore if I think the information is somewhere in my sent e-mail archive. So I hauled my nicely polished beginning and attendant paperwork off to the slowest copyshop ever, to watch teams of monk-scribes scratch out every page by hand (all while taking union-mandated coffee breaks and indulging in quick bouts of Gregorian chanting) and from there I schlepped the whole thing off to not one but two post offices, because the one near the house was experiencing technical difficulties.
Then, coming home from the further-away post office and having finished precisely that errand, I opened my mailbox… and found a grant cheque from the Ontario Arts Council. For The After People.
This means I did apply in May–go me! It also means that if I’m going to insist on forgetting every act I commit as soon as I hit SEND on it, I should at least trust my electronic records. On the other hand, it created an incredibly cool illusion: to mail something and then receive the answer, to have it waiting for you at home before the package has even hit a sorting station? Very cool.
More importantly, though, it means: WHEEEEEEE!!! Thank you, Ontario Arts Council!!
Finally, it means I can allot some serious time to turning the shambling 30K-word back end of AP into something twice as long and actually worth reading.
Needless to say, I am very pleased.