Final edits for A Daughter of No Nation are done, done, OMG done, and the book’s back at Tor. Soon there will be copy-edits to proof. Meanwhile, I’m finishing up a short story for License Expired and then moving into polishing up The Nature of a Pirate.
So… blogging will commence approximately six minutes after I can form a sentence more complex than “Dur dur dur.”
I do spend a shocking amount of time saying “Get off da counter!” as it happens. CinCin has an advanced degree in incorrigible and she loves loves loves to mooch.
If you would like to kickstart this process whereby I become communicative again (kickstart in the old fashioned sense of the word, and not the “Let’s raise money for a rockin’ awesome project!” sense, though if you want to throw money at me of course I’ll knit a pink net to catch it with), feel free to suggest some topics. I’m often at my most interesting when I’m talking about something I hadn’t realized you all wanted to know.
Now that I have a shiny new cover for A Daughter of No Nation, I asked if anyone had any questions about the upcoming book, which’ll be out in November.
And Paul Weimer did! He asks:
Is Sophie’s brother coming back?
Yes. Bram is in both A Daughter of No Nation (or, sometimes, ADoNN) and the third book, whose tentative title is The Nature of a Pirate.
How much time takes place between the end of Child of a Hidden Sea and the beginning of ADoNN?
The second book picks up about six months after Sophie’s deportation from the Fleet at the end of CHS.
Will we ever see a map? (you knew I needed to ask that)…
Honestly, I don’t know. I have hopes that it’ll happen one day… but as you probably remember, there’s so much ocean on Stormwrack, and so little land, that any full map of the planet would look like a blue sphere with green pimples. Also, since I am completely incapable of drawing one, some assistance will be required. A better bet is getting maps of some of the great nations, one day: Sylvanna, for example, and Verdanii. I don’t think there’s going to be a map in this book, though.
What new characters are you most excited to introduce us to?
Hmmm, who’s the most exciting new character in the second novel? We do see a little more of Sweet, who has been promoted up from her bosun’s assistant position on Nightjar, and you meet Watts, a doctor they pick up en route in this second book. I think the most fun I had with characters you haven’t seen previously was probably with a certain monk on Issle Morta, who has some strongly held opinions about Garland Parrish’s life and career choices.
You also get a quick look at Sophie’s adoptive parents, Regina and Cornell Hansa.
Paul, thank you for the questions! And the floor’s still open, everyone–what else do you all want to know?
I am sitting in my office with Chinchilla stretched out across my lap, occupying the space atop my left hand, and so I am dictating this blog entry on my phone.
Fiction writing continues to be in revision/wrap-up mode: I have been rereading the last couple novels in the trilogy, just reacquainting myself with every little detail and thinking about where I might insert one more story element into the last book. I am simultaneously trying to trim a novelette down to 7500 words, the better to send it to a specific horror market. (160 words to go!)
Over at UCLA, Novel Writing II opens next week: I will have a dozen writers working on 50 pages apiece, for 10 weeks.
I finished reading Hilary Mantel’s Bring Up the Bodies on the weekend,and the history book of the moment is A.N. Wilson’s The Victorians. The next novel I will read is for a review, so you’ll hear about it when I’m done.
And television this winter is currently taking the form of re-watching the Laurie/Fry Jeeves and Wooster, watching Marvel’s Agent Carter, and slipping in the occasional episode of Community.
I have not been out to take pictures in a couple weeks, but yesterday on my way to get my glasses adjusted I did get a great look at what was almost certainly a peregrine falcon, fluffed up against the cold as it sat on a branch on D’Arcy Street. I will spare you all the pixelated phone shots. It was, however, miraculous.
I am not someone who sets of a lot of New Year’s resolutions, but I do think of myself as having a sort of writer’s fiscal year, and I do set out goals in January. The biggies for this year are the actual work of getting A Daughter of No Nation ready for its November release, getting the third book in the trilogy (tentatively titled The Nature of A Pirate) well on its way, and finishing up or marketing some short fiction projects I finished last year. Finally, there’s a medium sized teaching-related project – basically, all of my virtual classroom materials for UCLA need sprucing up. The trio of critique posts, the first of which sang the praises of Die Hard was part of this last project.
This is plenty. It means 2015 will be a year of revision, research, and planning of future projects.
I’m sure to write some new stuff, especially since generally speaking I can’t help myself. But this isn’t likely to be one of those years where I write two new novels from scratch. (Though I do already have some stretch goals, and I find it hard to refuse anthology invitations from my friends, and I always enjoy doing NanowriMo when the conditions are right…)
What about all of you? Do you make artistic slash business plans at this time of year, for any or all of your endeavors?
I got a couple of seasonal presents this week: Badass Book Reviews has listed Child of a Hidden Sea as one of their best 2014 fantasy novels in their annual round-up.
Meanwhile, the Ontario Arts Council has, on the excellent advice of ChiZine Publications, given me a grant to work on a horror novel currently titled See How They Run. ChiZine publishes books by so many authors I love–Caitlin Sweet, Gemma Files, David Nickle, Paul Di Filipo, Claude LaLumiere and Derryl Murphy–and by a plethora of other talented folks I hope to come to love as I get acquainted with their works.
I am, of course, delighted and grateful to both the OAC and ChiZine. My understanding of how the Writers Reserve program works is that it exists to allow small press publishers to direct funds to deserving authors. In other words, there’s no financial benefit for the publisher–they read the submissions, of which there must be many–for the good of the writing community.
My point? If you were going to buy a cool weird book this winter anyway, and you want to throw ChiZine some love, I can guarantee you won’t be sorry. I’m halfway through We Will All Go Down Together, by Gemma Files, and it is a freaky good time. Or if you want to see a fictional rendering of Toronto’s recent citypolitik (and other subjects too), give Dave Nickle’s Knife Fight and other Struggles a try. Got teens? The Caitlin Sweet book, The Door in the Mountain, is a YA novel about Ariadne and the Minotaur, with prose so fine it will make you weep. Or, possibly, bleed.
What’s better during the holiday season than tucking in somewhere cozy with a fine book? Nothing, that’s what! I wish you all good reads, good food, and downtime in what’s left of 2014.