Cover image for “The Nature of a Pirate,” by Cynthia Sheppard
As I dictate these words, I am sitting on the Go train, headed to UTSC to pick up some things I left in the sessional office. Even though I am teaching in summer, too, they clean out everything between quarters… which makes sense, if they don’t want the shared office to become a cluttered den of crap. It’s a good task for what I hope will be my last day of reduced activity due to the cold. An almost recreational commute, a quick errand, and then back home to see what else I can make of the day.
Next term I will be on campus Thursday afternoons and evenings for the next level of the same speculative fiction class. I am excited about being there, both for the sake of the teaching, which is delightful, but also to see what it is like there in the summer. Fewer icicle photos, more flowers, is my guess.
In other pleasing news, I am currently up for two awards: A Daughter of No Nation is nominated in the Best English Novel category for an Aurora Award, and I am in the running for something called the K.M. Hunter Artist Award. Kelly’s novella “Waters of Versailles,” meanwhile, is in the running for an Aurora too, in the Best English Short Fiction category. If the cool around our house runs any deeper, we will have to issue hip waders at the door.
Some of you may have already seen my new Cynthia Sheppard cover on the The Nature of a Pirate Amazon page and/or when I posted it on social media, but here it is again for your delectation. Isn’t it beautiful? My editor very kindly gave me a version without the art, too, so that I can have a Sophie icon that doesn’t have random pieces of alphabet all over the place.
These three books now have, between them, some of the most thematically appropriate, well-matched and flat-out nicest covers I’ve seen on any trio of novels, and I love them all with every cell of my circulatory system, up to and including the big glob in the midst.
In related news, Tor Books has reissued Indigo Springs and
Blue Magic with new covers, and these too are very pretty indeed. I think they’re very appropriate to that universe, and the seeping magical blueness that causes so much trouble for Astrid Lethewood and her poor doomed magic-contaminated friends.
Here they are:
Child of a Hidden Sea
I am very pleased to announce that another of the Gales, “The Boy who Would Not be Enchanted,” has been accepted for publication at Beneath Ceaseless Skies. This is the first of the stories to be slated for an appearance outside Tor.com. The first three Gales are “Among the Silvering Herd,” “The Ugly Woman of Castello di Putti” and, most recently, “The Glass Galago.”
(The fourth, “Losing Heart among the Tall,” is also slated to appear on Tor.com).
This sale may mean the stories will appear out of order, depending on publication dates. This is no great problem. They’re like a family; you can meet them out of birth order.
The Gales switch POV from story to story, and this particular piece of the puzzle is told by one of the characters who is important in the Hidden Sea Tales universe but who doesn’t get as much time in the sun, especially in A Daughter of No Nation, as some of you would like: Nightjar’s gay first mate, Tonio Cappodocio. It is a tale he tells when he’s reached the grand old age of seventeen, and is looking back on Gale Feliachild, Garland Parrish and his youthful stowaway adventure of so many years before. (Five years, in other words. Oh, what a foolish twelve year old he was!)
I love this story, and have been reading bits of it for years at queer-themed events. I’m thrilled about this sale, and excited about you all getting to read it.
A rather brisk deadline has fallen upon me this month, and so I’m madly polishing The Nature of a Pirate in order that all of you may have it later this year. If you’ve been wondering why I’m not as Twittery or active on the Book of Face lately, that would be the big reason. It’s in a good cause, and it won’t last long. Look–it’s in the MacMillan catalogue! Actually, don’t, as there’s nothing much there yet beyond the title. I wish I could show you the preliminary cover art. It’s so pretty.
(Smaller reasons for my absence would include my current UTSC course, Worldbuilding from the Ground Up, my current UCLA course, Creating Universes, Building Worlds, and the advanced speculative fiction workshop I’m developing for UCLA for spring. Also a talk I’m preparing, another talk I’m preparing, and a panel I’m going to be on in the near.)
Finally, I am gearing up to take A Daughter of No Nation on tour in February. I will be in Vancouver on February 13th, reading at the Storm Crow Tavern at 3:00 p.m. I’ll be at the Cedar Creek Powell’s in Portland, Oregon on February 16th at 7:00 p.m. and on February 20th I’m taking Sophie back to her hometown, San Francisco, with a joint reading at Borderlands at 2:00 p.m. with author Randy Henderson. Invite your friends! Bring your neighbors! Invite librarians! You may even invite any pirates you happen to know, as long as they come unarmed and ready to negotiate.
photo by Kelly Robson
‘Tis the season when we count up our blessings and our publications, and for me, the big news in 2015 was the publication of A Daughter of No Nation, the second of my Hidden Sea Tales novels and follow-up to Child of a Hidden Sea.
For anyone who is just getting into this series and the world it takes place in, Stormwrack, there are some prequel stories about Gale Feliachild and the damnably handsome Garland Parrish, set when both of them are much younger and, in the latter case, even more innocent. They are available for free on Tor.com, and are entitled:
“Among the Silvering Herd”
“The Ugly Woman of Castello Di Putti,”
and–coming soon!–“The Glass Galago.”
I did have two other stories out in 2015, and by a weird twist of fate they were both part of larger universes, places not created by me. The first was a story called “Rate of Exchange” in S.M. Stirling‘s The Change: Tales of Downfall and Rebirth. The second was my story about Miss Moneypenny, which appeared in License Expired: the Unauthorized James Bond, edited by Madeline Ashby and David Nickle. It’s called “Through Your Eyes Only.”