A Daughter of No Nation
The delightful Angela Slatter interviewed me on her blog last week, in a wide-ranging conversation covering topics from my childhood reading to my currently-up-for-an-Aurora Award novel, A Daughter of No Nation.
In other news, and as many of you probably already know, I am off to Chicago this week to attend the Nebula Awards Banquet, and to cheer for Kelly, who is nominated for her novella Waters of Versailles. As with all Dua trips of late, there will be dance videos, coffee shops, art museums, and pilgrimages in search of baked goods worthy of the name. I also expect to see and celebrate with so many lovely friends.
We will be home just in time to mark the third anniversary of our move to Toronto, and the kittens'(well, not really kittens anymore) second birthday. I have mostly stopped telling people we are new to Toronto. I haven’t stopped telling people I love it.
Monday night: I am parked on the bed, tip-tapping away, with both cats lounging beside me as Kelly writes in the next room. It was a cool and sometimes blustery day, but now the sky has cleared and the evening light is pleasantly mellow. Our birch trees are putting out teeny tiny leaves. I love the spotted crepe-y look of birch trunks; I missed them when we moved away from Northern Alberta when I was eleven or so. I associate the look of them, somehow, with contentment.
We were at Ad Astra all weekend, seeing people and talking books, so today I mostly worked through a logjam of teaching tasks, as well as figuring out out the plotty heart of one of the three novel concepts I’m incubating. I am calling these concepts the stork babies, since some species of stork hatch multiple offspring, who then duke it out in a rather grisly game of survivor, the stronger voting the weaker out of the nest, kersplat, until only one remains. If I ever wrote a book called Things I learned from David Attenborough, there would definitely be a bird chapter entitled “Nature’s Most Beautiful Assholes.”
The storks’ current working titles, in birth order, are Tom the Liar, Glory Days, and Magic Fairy Sparkle Princess. I expect all of these titles to change no matter who outwits, outlasts and outwrites.
I am also pleased because I’ve realized the Poldark series is finally available via my preferred media vendor. We’ve been waiting for this to happen for months! Now if only iTunes Canada would unlock Grantchester S2…
Strangers Among Us: Tales of the Underdogs and Outcasts is newly out from Laksa Media. Edited by Susan Forest and Lucas K. Law, it has stories by Kelley Armstrong, Suzanne Church, Gemma Files, James Alan Gardner, Bev Geddes, Erika Holt, Tyler Keevil, Rich Larson, Derwin Mak, Mahtab Narsimhan, Sherry Peters, Ursula Pflug, Robert Runte, Lorina Stephens, Amanda Sun, Hayden Trenholm, Edward Willet and A.C. Wise. The intro was written by Julie E. Czerneda.
The stories in the anthology seek to, as the editors put it, “explore the delicate balance between mental health and mental illness,” and a portion of the anthology’s net revenue is being donated to the Canadian Mental Health Association. (Laksa Media’s motto is “Read for a Cause, Write for a Cause, Help a Cause” and you can learn more about their philosophy here.)
My own story, “Tribes,” might be said to be about sweeping your problems under a rather large rug. I have only had my contributor’s copy in the house for a day, so I’ve barely dipped into the stories here. But it’s an exciting ToC, and a cool project, and I’m delighted to have been a part of it.
photo by Kelly Robson
The Ad Astra science fiction convention is happening this weekend, and there’s going to be a ton of great programming. Guests of Honor Include Tom Doherty, Jack Whyte, Sandra Kasturi, Brett Savory, and Catherine Asaro.
As for me, here’s when you can find me:
Saturday April 30
- 1:00 p.m. Modern Anxieties and Post-Apocalyptic Landscapes.
- 6:00 p.m. SF Reading with Derwin Mak, Madeline Ashby, and Kelly Robson.
- 7:00 p.m. Loving the Villain .
Sunday May 1st
- 1:00 p.m. Non-Fiction for the SF or Fantasy Writer .
I love meeting readers, writers, students and fans so do come on over, if you’re inclined, and say hello.
Writing the Fantastic, my July course offering at the UCLA Extension Writers’ Program, is now open for registration. You can find the full course description and syllabus here, but here are the highlights:
This course expands the study of science fiction and fantasy writing to include both short and novel-length fiction. Infusing a narrative with originality and fantastic literature’s much-discussed “Sense of Wonder”–while at the same time preserving its clarity and heart–is a juggling act that can test a writer’s skills to the utmost. Writing the Fantastic places emphasis on meeting this challenge by merging the otherworldly content of speculative fiction with humane, emotionally powerful storytelling. Through exercises and readings, students deepen their understanding of the speculative subgenres: alternate history, time-travel, horror, dark fantasy, sword and sorcery, urban fantasy, sociological science fiction, and hard science fiction.
UCLA has tons of great classes and instructors if you’ve already taken this one. The popular stuff fills up fast, so browse now, browse often. My classes, especially my summer offerings, are intended to work as alternatives to something like Clarion or Clarion West, in case this isn’t the year when you can take six weeks off work, or preparation for same. WTF, as I like to call it, is one of the classes that qualifies you to take the Advanced SF Workshop that I also run, periodically, through the program.