A number of years ago I decided it would be fun to have a look at some of the classic horror novels from the 1980s: something by Stephen King, a Dean Koontz novel, a taste of Clive Barker and, of course, a novel by Peter Straub. Ghost Story was published in 1979, and I was adhering strictly to the idea of an Eighties horror rewatch, so I went with Shadowland, which was less overtly horrific, in many ways. It was, though, the first Straub book I read.
Here’s a snippet of the essay:
Shadowland isn’t metafiction, either, but it skirts its furthest border, containing stories within stories: fairy tales that turn into guest appearances by the Brothers Grimm, creepy parables offered by the Carson School teachers to the traumatized student body, numerous references to the story of Jesus, and a long narrative Coleman Collins calls his “unburdening,” about how he discovered the magic within himand made it monstrousduring his days as a doctor in the First World War. The novel’s frame story, where Tom reveals his past to his writer classmate, thus becomes a parallel unburdening, a necessary part, perhaps, of the true magician’s life cycle.